The park’s writers, finding tepee-dwelling tribesfolk in buckskins a bit dull, jazzed them up into nightmarish greyscale creatures to add a bit of spice to the wilder areas of the park. This, it turns out this week, is basically true. And, when Sizemore made his disastrous pitch for ‘Odyssey on Red River’ back in the first season, it felt like this was really nothing new for the Ghost Nation, hanging around the fringes of the park as a go-to, not very fleshed-out enemy for anyone who finds Steven Ogg and the Confederadoes a bit too chummy. They’ve been rattling around in the background for a while, by all appearances like a fairly flat grab-bag of all the old frontier tropes about savage redskins – with their stark black-and-white warpaint, broken up only by the bloodstains, being a fairly obvious marker of ‘we are bad dudes’ – and popping up occasionally to menace named characters and say something cryptic. And with all that in mind, so it is that after nearly fully two seasons, nearly twenty hours, that in ‘Kiksuya’ we finally get to properly meet the Ghost Nation. Westworld, with the stark dividing line between the humans and the hosts, is a fairly obvious candidate for this kind of viewpoint, with Dolores as a reminder of the painful truth that the oppressed, once the shackles off, are perfectly capable, eager even, of getting into some high-end oppression of their own. the oppressed – a melodramatic two-hander which has the merit of having been played out countless times over the years. There’s a certain school of analysis which views all of human history through the lens of the oppressor vs.